Maristella Casciato

Joseph Bedford

Biographical interview

LOCATION

Los Angeles

DURATION

02:42:42

DATE

15/11/2024

SUMMARY

Maristella Casciato discussed the culture of architectural history in Italy between the mid-1960s and mid-1980s, a period before PhD programs in the field existed there. Historical research was often self-initiated, supported by a vibrant network of informal institutions and debates. Manfredo Tafuri, for example, ran his own institute in Rome, just behind the Pantheon, where students met to work on projects and discuss history outside the framework of IUAV. Public forums such as I lunedì dell’architettura at Palazzo Taverna brought figures like Bruno Zevi, Tafuri, and Paolo Portoghesi together for open debates.

After graduating from La Sapienza, Casciato became part of this intellectual environment while conducting a decade-long study of modern architecture in the Netherlands. She also worked for Portoghesi, organizing his photographic archive, and for the publisher Officina Edizioni. This thriving culture of research existed largely outside universities, sustained by Rome’s historical setting, Zevi’s belief in the architectural relevance of history, Tafuri’s political framing of the discipline, and broader state support for culture.

In contrast, her attempt to establish a PhD program in Bologna in 2010 left her with the sense that historical research was no longer valued in the same way. This led her to move to North America, taking positions at the CCA and later the Getty, where she pursued a different approach to advancing scholarship through archives. Her reflections raised broader questions about the political, cultural, and institutional conditions necessary for fostering a rich architectural history culture, and whether universities alone can provide them today.

BIOGRAPHY

Maristella Casciato is senior curator of architectural collections at the Getty Research Institute. Casciato was a tenured associate professor of history of architecture at the University of Bologna, School of Architecture from 2002-2012. Prior to that, she taught history of architecture at the University of Rome Tor Vergata. She has lectured widely at European and North American universities and has organized and chaired several international symposia. Casciato’s scholarly studies focus on the history of the twentieth-century European architecture and the theory of the conservation of our recent past. She has published and co-edited books and essays translated in several languages and has contributed many essays to international peer review journals. She was awarded a Fulbright Fellowship (1992), a research grant at the INHA in Paris (2004), and the Mellon Senior Fellowship at the Canadian Centre for Architecture in Montreal (2010). Casciato has a long history of innovative curatorial practice resulting in noteworthy exhibitions. Her first exhibition, “Funzione e Senso: Architettura-Casa-Citta: Olanda 1870-1940,” organized in collaboration with the Dutch Documentation Centre in Amsterdam, was presented in Rome in 1979 and traveled to Venice, to the Milan Triennale, and to Turin. From 1982-1985 she co-curated the exhibition series “Roma Capitale, 1870-1911,” organized by the Municipality of Rome. She collaborated with the Milan Triennale during 1985-1998.In 2008 she served on the team for the Italian Pavilion at the Venice Biennale of Architecture. Casciato has been part of the curatorial team of the Museum MAXXI in Rome since its opening in May 2010 and has been responsible for five major exhibitions there.

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CATALOGUE

Joseph Bedford

Maristella Casciato

Los Angeles

15/11/2024

Format

Video

Biographical interview

Joseph Bedford

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