This dialogue addressed the late work of John Hejduk as an architect, rather than as a writer and teacher. It asked how one might trace continuities or disruptions across his body of work and its various phases, often referenced in shorthand through the well-known Venice projects, Masques, and Sanctuaries. In search of an overview, the dialogue asked: What were his sources, both within architecture and beyond it? How did he work? What moods or attitudes prevail? And do enigmas persist in interpretations of his work today?